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Rutgers Art Review

Rutgers Art Review

The Graduate Journal of Research in Art History

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      • “His Blood Shrieks Out: The Blood of Christ in Fra Angelico’s Frescoes for the Novices’ Cells at the Convent of San Marco, Florence” by Benjamin W. Allsopp
      • “Reconstructing Ancient Rome in Sixteenth-Century Prints,” by Kylie Fisher
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Permalink to: Call for Papers and Digital Projects

Call for Papers and Digital Projects

Posted on June 6, 2017By Kathleen Pierce

DEADELINE EXTENDED: October 15, 2021   Rutgers Art Review, a journal of graduate research in art history, hereby invites all current graduate students, as well as professionals who have completed their graduate degree within the past year, to submit papers and digital humanities projects for its 39th edition.    Papers may address all topics and historical periods within Read More ...

Permalink to: Volume 37 Full PDF

Volume 37 Full PDF

Posted on June 7, 2021By RAR Journal

  Editors: Brittney Bailey, Franchesca Fee, and Jessica Mingoia For full volume, click at left     To see the classic version, click here        

Permalink to: Social Media

Social Media

Posted on September 29, 2017By Kathleen Pierce
Permalink to: Vol. 39 Deadline Extended

Vol. 39 Deadline Extended

Posted on September 2, 2021By Brittney Bailey

Current Volume

Volume 37

Permalink to: “His Blood Shrieks Out: The Blood of Christ in Fra Angelico’s Frescoes for the Novices’ Cells at the Convent of San Marco, Florence” by Benjamin W. Allsopp

“His Blood Shrieks Out: The Blood of Christ in Fra Angelico’s Frescoes for the Novices’ Cells at the Convent of San Marco, Florence” by Benjamin W. Allsopp

Permalink to: “Reconstructing Ancient Rome in Sixteenth-Century Prints,” by Kylie Fisher

“Reconstructing Ancient Rome in Sixteenth-Century Prints,” by Kylie Fisher

Permalink to: “A Phenomenology of Display: Monet’s L’Orangerie, the Panorama Rotunda, and the History of Proto-Installation Art” by Anthony Portulese

“A Phenomenology of Display: Monet’s L’Orangerie, the Panorama Rotunda, and the History of Proto-Installation Art” by Anthony Portulese

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  • About
    • Editors’ Welcome
    • Meet the Editors
      • Volume 39
      • Volume 38
      • Volume 37
      • Volume 36
      • Volume 35
      • Volume 34
      • Volume 33
      • Volume 32
    • History of RAR
    • Publication Information
  • Submissions
    • Call for Papers and Digital Projects
    • Submission Guidelines
    • Style Guidelines
  • Volumes
    • Current Volume
      • Volume 37 Full PDF
      • “His Blood Shrieks Out: The Blood of Christ in Fra Angelico’s Frescoes for the Novices’ Cells at the Convent of San Marco, Florence” by Benjamin W. Allsopp
      • “Reconstructing Ancient Rome in Sixteenth-Century Prints,” by Kylie Fisher
      • “A Phenomenology of Display: Monet’s L’Orangerie, the Panorama Rotunda, and the History of Proto-Installation Art” by Anthony Portulese
    • Past Volumes
  • Contact
    • Mailing List
    • Social Media
  • Donations