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Rutgers Art Review
The Graduate Journal of Research in Art History
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Volume 40 Full PDF
“Negative Evidence: Timothy H. O’Sullivan’s Photographs of the Sea Islands” by Elizabeth Keto
An Elephant in the Ruin: Coloniality and Masculinity in the Postwar Painting of Karl Schmidt-Rottluff by Tobias Rosen
Virginal Spaces: Feminine Music and Space in Dutch Seventeenth-Century Painting by Jessica Sternbach
The Limits of Consumption: Sawasa Ware In and Out of the Dutch East Indies by Vanessa Gillette Wyland
“Distance of Ambivalence” in Persona Performance: How Tseng Kwong Chi Appropriates the Mao Suit by Jacob Zhicheng Zhang
“Bridging Art History and Critical Heritage Studies: A Conversation with Ömür Harmanşah” by Trinidad Rico
“How to remember the present? Permanent exhibition at the Museum of Memory, Montevideo, Uruguay” by Alejandra López-Oliveros
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About
Editors’ Welcome
Meet the Editors
Volume 41
Volume 40
Volume 39
Volume 38
Volume 37
Volume 36
Volume 35
Volume 34
Volume 33
Volume 32
History of RAR
Publication Information
Submissions
Call for Papers and Digital Projects
Submission Guidelines
Style Guidelines
Volumes
Current Volume
Volume 40 Full PDF
“Negative Evidence: Timothy H. O’Sullivan’s Photographs of the Sea Islands” by Elizabeth Keto
An Elephant in the Ruin: Coloniality and Masculinity in the Postwar Painting of Karl Schmidt-Rottluff by Tobias Rosen
Virginal Spaces: Feminine Music and Space in Dutch Seventeenth-Century Painting by Jessica Sternbach
The Limits of Consumption: Sawasa Ware In and Out of the Dutch East Indies by Vanessa Gillette Wyland
“Distance of Ambivalence” in Persona Performance: How Tseng Kwong Chi Appropriates the Mao Suit by Jacob Zhicheng Zhang
“Bridging Art History and Critical Heritage Studies: A Conversation with Ömür Harmanşah” by Trinidad Rico
“How to remember the present? Permanent exhibition at the Museum of Memory, Montevideo, Uruguay” by Alejandra López-Oliveros
Past Volumes
Contact
Mailing List
Social Media
Donations
